Mar 30, 2024

inscription-stone hunt at Bhogasandra

During the Dec 2023 visit to Bhogasandra, while at Kote Ranganatha Swami Devastana, our friend Sidramanna mentioned about the presence of an inscription stone outside the village. The only person who would be able to show me that artifact would be Sidramanna's uncle Eshanna. Since that was a busy month for coconut farmers here, we could not find a convenient time. Even on normal days Eshanna is busy, always on the move by foot from one plantation to another. With a bag full of tools and pipeline spare parts, Eshanna checks drip irrigation lines daily. Besides the pipelines, he also checks the trees and fallen coconuts. Basically very dedicated to work, lives up to Jagatjyoti Basaveshwara's quote "Kayakave Kailasa" which means "work is worship."

In the third week I visited Bangalore, just a day. The following day Sridhar and I travelled to Bhogasandra with a short detour near Tumkur to see historical monuments of Gulur and Kaidala. Later in the day Satyaprakash, our friend from Bengaluru, joined us at Bhogasandra. The following day Venugopal from Mysuru joined us. It was a gathering of four primary school friends at Sridhar's farm, deep inside a rural realm. That evening we four went to Bhogasandra lake by walk. On the way we saw  a flock of peacocks & peahens.

Sridhar, Venu, Satyaprakash

Jan 19, we all went for an early morning walk deeper into the farm lands. Purpose of the outing was to pick & gather a citrus fruit called Yeralikayi. We happened to meet Eshanna near the target tree. He helped us pick two bag full Yeralikayi and accompanied us till Sridhar's house. On the way, the matter of inscription stone came up and luckily Eshanna obliged to take us to the spot. After breakfast. Satya left to Bengaluru and we went to catch up with Eshanna.

Venu hauling two bag full Yealikayi

After walking for about 15 minutes we reached a barren spot next to a coconut plantation. Eshanna looked around, under the bushes but unable to find the slab he had seen. Apparently the place had been disturbed by an excavator during while making a trench here. Eshanna felt the slab might've been buried when the trench was closed, he was disappointed. So was I. However, there was a rough granite slab with engraving on one face.

Eshanna and Venugopal

This is the best I could do with sunlight blazing down. Since the surface is coarse, the engraving is kind of camouflaged.

Here's a cropped version. On the top is a Shivalinga, surely Sun and Moon would also be present. Below the Shivalinga are five or six horizontal lines, between the lines there seems to be some text. As per Eshanna, a habitat existed here once upon a time. The place was abandoned during a scrouge. Looks like the habitat was mainly temporary structures since there are no ruins here except for this stone inscription.

That rear view of the slab. Geologically this stone is a fusion of granite and some other stone. Between this block and the bush were a few slimmer slabs buried in dirt. We tried to dislodge one of them but it wouldn't budge. To excavate we would require a lot of tools including a machete to clear the bush. A work for some other time.

Hoping to unearth the inscription some other time, we left and headed towards another coconut plantation of Eshanna. On the way we passed by a pond. On the pond banks was this anthill.

That's the pond. Eshanna said this pond was fed by canal water and rainwater too. This anthill with so many spikes has a special look.

From the opposite side it feels as though we are looking at a bull's horns.

Another 15 mins walk, we reached Eshanna's plantation where he plucked tender coconuts and opened them for us. The fresh cool drink was rejuvenating. We were thankful to Eshanna for taking out time from his busy schedule. I feel he walks 8 to 10 km daily and his mind is always engrossed with work. BTW, Sridhar tried to install a steps tracking app in Eshanna's smart phone, unsure if the installation was successful.

.........

Mar 23, 2024

Chatrapati Shivaji sculpture at Yadwad

Feb 12th 2024. The wait to meet the great traveler Pramod Potdar ended with his arrival at Dharwad. We met close to Pushpa's workplace, came home, rested for a while and planned to visit Yadwad village to see the sculpture of Chatrapati Shivaji situated inside a Hanuman temple. I was ignorant of this sculpture until Pramod mentioned it.

Yadwad is about 16 km north of Dharwad, off Dharwad-Uppinabetageri road. Hanuman Mandir is a stone's throw away from Yadwad bus-stand, one cannot really miss it. The structure is new but the deity is ancient. On inquiring, village folks pointed us to a spot next to the steps where Chatrapati's sculpture is kept.

The simple shrine housing the ancient and important artifact from the early 18th Century CE. This sculpture is special because it was made during Chatrapati's lifetime. The story goes like this: During the Maratha campaign, Belawadi a small kingdom in the present day Belagavi district was attacked. Belawadi king Ishaprabhu Desai died during a battle with Maratha army. Then Ishaprabhu Desai's wife Mallamma, daughter of Raja Madhulinga Nayaka of Sodhe kingdom, continued the war. However Mallamma had to concede defeat to the powerful Maratha army. Chatrapati Shivaji after meeting Mallamma, restored the kingdom to Desai family. Rani Mallamma, out of respect for Shivaji's kind gesture, got this sculpture made.

That's my friend Pramod bowing out of respect to his idol.

The three feet tall sculpture made of granite depicts Chatrapati astride a horse, wielding a sword and accompanied by his guards. The lower panel depicts Chatrapati and Mallamma engaged in conversation in the presence of two other people, probably their aides.

One thought is how or why this sculpture is at Yadwad instead of Belawadi. I'm assuming Rani Mallamma got the sculpture made at Belawadi since it was her kingdom's capital. So how did the sculpture reach a place 23 km away? Well, that's something to research about. While I was happy to be seeing this important artifact I was also concerned about the way it was placed. This sculpture deserves a better location and a small writeup for people's benefit. One point I would like to mention here is: Belwadi Rani Mallamma was Kittur Rani Chennamma's senior by at least seven decades. I do not remember seeing any ancient memorial of Rani Mallamma. Present day Belwadi is known for Sri Veerabhadreshwara Devastana.

Next to Chatrapati's sculpture, is this broken memorial-stone depicting a very handsome warrior engaged in a fierce battle.

Another artifact, a blank inscription stone is placed next to a building in a negligent manner. I wish villagers remove it from here, and place it next to the temple.

Having thanked the village people, Pramod and I left Yadwad. Since we were in the vicinity of Amminabavi, I felt Pramod might be interested in seeing the rock-cut underground temple and the massive open-well there.

......... 

Mar 16, 2024

Baobab trees of Vasai fort

On the 30th of December 2022, Vijay Menon, my friend from Thane had shared pictures of the Baobab tree at Shirala fort. On the 1st of February 2024, Vijay surprised me with pictures of four Baobab trees at Vasai fort. The fort is situated on the northern side of Vasai creek and the Baobabs are opposite Mandvi Darwaza of Vasai fort. Here are the pictures, I'm very happy to be adding another Baobab site to the steadily growing list of Baobab trees in India.

Of the four trees, three are in one cluster bang a stone's throw from the fort doorway. These trees remind me of the Baobab of Lalbagh Botanical Garden in Begaluru. Lalbagh's Baobab is probably one tree which looks like three trees and it could be the same with Baobab of Vasai fort. Maybe it's two trees since there's a date palm in between.

A zoomed out view of the trees.

View of the trees from the gateway.

The fourth Baobab is within 100 meters of Mandvi Darwaza. Going by the looks of the trees, they seem to be relatively young, maybe 150 years. That's my guess, they could bee younger or older.

The sight of these trees is a bitter-sweet feeling. Bitter because of the conditions they are in. Local people ignorant of this tree, for that matter any tree, have dumped construction waste close to it. The pavers around the tree are choking the tree's base. Baobabs grow continuously hence they need open ground around their bases. I hope some local realizes that and removes a few pavers exposing the earth below.

Within the fort are several places of interest such as Vajreshwari Mandir, Hanuman Mandir, Saint Joseph Church, Gonsalo Garcia Church, Saint Anthony Convent, and other ancient ruins. Around Vajreshwari Mandir are a dozen or more sculptures of which Brahma idol is the most eye-catching one. Below is a collage of three sculptures. Extreme left is Brahma and the other two I'm unsure.

Thanks to my friend Vijay for sharing pictures of Baobab trees.

Before closing this post, I would like to add the list of Baobab sites compiled over the past few years:

  1. Hilltop Nightclub, Vagator, Goa
  2. Cabo Raj Bhavan, Dona Paula, Goa
  3. Quepem, Goa
  4. Bamboo Motels, Goa
  5. next to Yogapur mosque, Bijapur
  6. Mahalakshmi Gudi premises, Martur, Kalburgi district
  7. Dodda Hunashe Matha, Savanur, Karnataka
  8. Near the aquarium in Lalbagh Botanical Garden, Bengaluru
  9. Two Baobab trees at Sri Ramakrishna Vidyashaala, Yadavagiri, Mysuru
  10. Purana Qilla, Golconda Fort, Hyderabad, Telangana
  11. Attapur, Hyderabad
  12. Vansthalipuram, Hyderabad, Telangana
  13. near Chappel Road, Hyderabad, Telangana
  14. Ranganath temple at Nanakramguda, Hyderabad, Telangana
  15. Shivalaya on Balachandruni Guttalu, Nalagonda, Telangana
  16. Uppal in Chengicherla Reserve Forests, Hyderabad, Telangana
  17. Nellore, Andhrapradesh
  18. Theosophist Society Gardens, Chennai, Tamil Nadu
  19. The American College campus, Madurai, TN
  20. Chinmaya Vidyalaya's campus at Ilanthope, Rajapalayam, TN
  21. Mangaliawas near Ajmer, Rajasthan
  22. Vadodara, Gujarat
  23. Dayapur, Gujarat
  24. Kutch, Gujarat
  25. Bhanagar, Gujarat
  26. Baroda, Gujarat
  27. Victoria Garden, Sukharamnagar, Ahmedabad, Gujarat
  28. Mulund, Mumbai, Maharashtra
  29. Byculla zoo, Mumbai, Maharashtra
  30. next to Revdanda-Murud road at Korlai, Maharashtra
  31. Tilak road and Ghokale road, Pune, Maharastra
  32. near Aurangabad, Maharashtra
  33. Nana Fadnavis Wada premises, Menawali, Maharashtra
  34. Mandavgad or Mandu, Madhya Pradesh
  35. near Sangam, left bank of the Ganga, Prayag, Uttar Pradesh 
  36. Sanjay Gandhi Biological Park, Bihar

.........

Mar 9, 2024

Cheluru Oora Bagilu

Chelur is a small town in Tumkur district. A small one but its location is strategic. Basically the town is a junction of five roads and known for it's coconut market. People traveling from Nittur to Sira have to pass through Chelur. I'd driven through it in Jan 2023 while driving from Bhogasandra to Dharwad. The town's commercial significance was obvious. I was ignorant of it's historical monuments until my friend Siddaramanna told me about the town's gateway and a prophecy attached to it. That sparked curiosity about the place. Also I was told about a Kalyani and Maralu Siddeshwara Devastana.

Jan 20, 2024. After a 3-day gathering of school friends at Sridhar's farm at Bhogasandra, I was heading back to Dharwad. Bhogasandra to Chelur is just 17 km but took about 25 minutes because of rural roads passing through several villages. The coconut-betelnut belt of Tumkur district extends up to Chelur. At the five-road junction of Chelur, I got directions to Cheluru Ooru Bagilu which means Cheluru town gateway. To me the name Cheluru brings scorpions to mind because Kannada word for scorpion is Chelu. That's my imagination, Chelur may not have any historical connection to scorpions.

So here we are looking at the historical landmark of Chelur, probably built during Hoysala or Vijayanagara period. Some people of the town have taken steps to protect the monument but then there are people who don't realize its importance.

Chelur Ooru Bagilu seems like a stone-mortar structure originally. Now it's covered in a thick layer of enamel. As you see two bikes are parked inside. People living around use this monument like personal property.

Presently the spaces within this gateway are being used offices of some public department. On the left hand side wall the popular quote of Chelur in text.

Below is the transcription of the quote:

ಚೇಳೂರು ಊರು ಬಾಗಿಲು ಕಲ್ಲುಕೋಳಿ ಮೇಲ್ಪಾಗದ ಬಂಡೆಯಲ್ಲಿದೆ

ಅರಳೀ ಮರದ ಎಲೆ ಬಟುವಾದಾಗ
ಚೇಳೂರು ಬಾವಿ ತುಂಬಿ ಹರಿದಾಗ
ಕಲ್ಲು ಕೋಳಿ ನೇರವಾಗಿ ನಿಂತು ಕೂಗಿದಾಗ 
ಮರಳು ಬಸವಣ್ಣ ಎದ್ದು ನಿಂತು ಗುಟುರಿಕೆ ಹಾಕಿದಾಗ
ಪ್ರಪಂಚ ಪ್ರಳಯ

Here's the rough translation of the above:

The time when Peepul leaves become rounded, the stepped well overflows, the stone fowl stands erect and crows, and the sand bull stands up and bellows, this world will end.

Here's the sculpted stone fowl on one of the columns inside the gateway.

The space on the opposite side seems to be used like a store room.

The gateway is oriented in the east-west direction. This is the western side, behind me is the older parts of Chelur.

This gate is actually situated on the eastern side of the town, however presently it may seem center of the town since the town grown with time. A vegetable vendor has erected a shelter for his shop right next to the monument. What an eyesore!

I move on to see the two other items mentioned in the quote- the well and sand bull. The well is just 400 meters away, any local person can give directions to these spots. The sight of the stone well made me sad. People simply don't care for heritage.

Going by the stone wall around the well, one can tell it's an ancient structure. The well is situated on a raised ground on which is a small temple and a larger temple under construction.

The plight of the stepped well is pathetic, a jungle grown into it. Roots will dislodge the stone slabs and eventually the walls will collapse. Since the well was dry, it's bottom was visible. 

Close to one of the corners of the well I saw stone steps descending into the ground. I thought these steps could be connected to the well, but when I checked the well again I couldn't see any opening in the walls.

This small structure is Bairaveshwara Devalaya, an active shrine. In the background is the construction site of a larger temple, probably for Bairaveshwara.

One final look at the walls around the wall. One of the articles on Chelur says this well was probably constructed during Chola period. Hoping people find enough resources and will to clean up this well and preserve them for the future generations. With that thought I move on towards the last item i.e. Maralu Siddeshwara Devalaya which is another 400 meters down the same road.

Though Maralu Basaveshwara is an ancient shrine, it has been heavily modified in the recent times. Only the temple Poojari was present here and he too didn't seem to be in a nice mood.

This is the deity. It's texture and color seems stony but it's actually sand. As per local people this idol was made by Shiva Sharanas in the XII Century in memory of a bull which died by ingesting poisoned food. The idol has turned black and glossy due to oily offerings.

On one of the walls was a writeup of this temple, below is the transcription.

|| ಶ್ರೀ ಗುರು ಬಸವಲಿಂಗಾಯ ನಮಃ  ||
ಶ್ರೀ ಮರಳು ಬಸವೇಶ್ವರ ಸ್ವಾಮಿ ದೇವಸ್ಥಾನ, ಚೇಳೂರು, ಗುಬ್ಬಿ ತಾಲೂಕು ತುಮಕೂರು ಜಿಲ್ಲೆ 572117

ಮಾನ್ಯರೆ,

ಐತಿಹಾಸಿಕ ಪರಂಪರೆ ಹಿನ್ನಲೆಯುಳ್ಳ ಪವಾಡಸದೃಶವಾದ ಮರಳು ಬಸವೇಶ್ವರ ಸ್ವಾಮಿಯು ಸುಮಾರು 800 ವರ್ಷಗಳ ಹಿಂದೆ (ಬಸವಯುಗ) ಕಲ್ಯಾಣಪಟ್ಟಣದಲ್ಲಿ ಕ್ರಾಂತಿಯಾದ ಬಳಿಕ ಅಲ್ಲಿಂದ ಬಡ ಶಿವಶರಣರಾದ ಶ್ರೀ ಸಂಗಮೇಶ್ವರರು ಇಲ್ಲಿ 3 ಹಿಡಿ ಮರಳನ್ನು ಇಟ್ಟು, 101 ಕೊಡ ನೀರನ್ನು ಧಾರೆಯೆರೆದರು. ಅವರಿಂದ ಪ್ರತಿಷ್ಠಾಪಿಸಲ್ಪಟ್ಟು, ಬಸವನ ಆಕಾರವನ್ನು ಧರಿಸಿ, ದಿನ ದಿನಕ್ಕೂ ಬೆಳೆದು ವೃದ್ಧಿಯಾಗುತ್ತಿರುವಾಗ ಶ್ರೀ ಸ್ವಾಮಿಗೆ ಹುಚ್ಚೆಳ್ಳೆಣ್ಣೆ ಮತ್ತು ಜೇನುತುಪ್ಪಗಳ ಅಭಿಷೇಕ ಮಾಡುತ್ತಿರುವುದರಿಂದ ನೋಡಲು ಕಪ್ಪು ಕಲ್ಲಿನ ಶಿಲೆಯಂತೆ ಕಾಣುತ್ತಾರೆ ಆದರೆ ಶ್ರೀ ಸ್ವಾಮಿಯವರು ಬೆಳೆಯುತ್ತಿರುವುದು ಸಂಪೂರ್ಣವಾಗಿ ಮರಳೇ ! ಅಂದಿನಿಂದ ಶ್ರೀ ಮರಳುಬಸವೇಶ್ವರ ಎಂಬ ಅಭಿದಾನದಿಂದ.

ಹೀಗೆ ಮರಳಲ್ಲಿ ಬಸವನ ಆಕಾರದಲ್ಲಿ ಬೆಳೆಯುತ್ತಿರುವ ಶ್ರೀ ಸ್ವಾಮಿಗೆ ದೇವಾಲಯವನ್ನು ಲಿಂಗ ಶ್ರೀ ತೋಟದ ಸಿದ್ದೇಗೌಡರು ನಿರ್ಮಾಣಮಾಡಿ ಪ್ರತಿವರ್ಷ ವೈಶಾಖ ಮಾಸದ ಬಸವಜಯಂತಿಯಲ್ಲಿ ಭಾರೀ ದನಗಳ ಜಾತ್ರೆ ಮತ್ತು ರಥೋತ್ಸವ ಹಾಗೂ ಜಾನಪದ ಸಾಂಸ್ಕೃತಿಕ ಕಾರ್ಯಕ್ರಮಗಳನ್ನು ಪ್ರಾರಂಭಿಸಿದರು. ಅವು ಇಂದಿಗೂ ಪ್ರತಿವರ್ಷವೂ ನಿರಂತರವಾಗಿ ನಡೆಯುತ್ತಾ ಬಂದಿರುತ್ತವೆ.

ಸದರಿ ದೇವಾಲಯವು ಶಿಥಿಲವಾಗಿತ್ತು ಶರಣ್ಯರಾದ ಶ್ರೀಮತಿ ಶ್ರೀ ನಂಜುಂಡಪ್ಪನವರು ಸಾತನಹಳ್ಳಿ, ಚೇಳೂರು ಹೋಬಳಿ ಇವರ ಮಾತಾಪಿತೃಗಳ ಸ್ಮರಣಾರ್ಥವಾಗಿ ಗರ್ಭಾ ಅಂಕಣವನ್ನು ನಿರ್ಮಿಸಿದ್ದಾರೆ.

ಈ ಪುಣ್ಯ ಕ್ಷೇತ್ರವನ್ನು ಕುರಿತು ಕಾಲಜ್ಞಾನಿಗಳ ಭವಿಷ್ಯವಾಣಿ

ಚೇಳೂರು ಊರುಬಾಗಿಲಲ್ಲಿ ಇರುವ ಕಲ್ಲು ಕೋಳಿಯು ಕೂಗಿದಾಗ ಶ್ರೀ. ಮರಳು ಬಸವಣ್ಣ ಹುದ್ರಿಕೆ ಹಾಕಿ ಹೊರಬಂದಾಗ, ಬೇಳೂರು ಕಲ್ಲು ಬಾವಿಯ ನೀರು ಉದ್ಭವಿಸಿಹರಿದಾಗ ಕಲಿಯುಗ ಸಮಾಪ್ತಿಯಾಗುವುದೆಂದು ಕಾಲಜ್ಞಾನಿಗಳಾದ ಕೈವಾರದ ಶ್ರೀ ಅಮರನಾರಾಯಣ ಯತೀಶ್ವರರ ಗ್ರಂಥದಲ್ಲಿ ಉಲ್ಲೇಖವಾಗಿರುತ್ತದೆ ಮತ್ತು ಇದು ನಾಣ್ಣುಡಿಯಾಗಿ ಜನಜನಿತವಾಗಿದೆ.

Flanking the Gabhagudi are idols of Ganesha and a Devi.


Apparently within the temple premises is a shrine dedicated to Gangambike, one of the two wives of Jagatjyoti Basaveshwara. I missed it completely. Anyway, I'll try to revisit this temple when I visit Bhogasandra again. While checking online for  Chelur history I happened to stumble upon an article titled "A Study of Historical Remains of Chelur and its Surroundings by Prasanna Kumar S R, ICHR – Junior Research Fellow, Dept. of Studies and Research in History and Archaeology, Tumkur University. Quoting a paragraph which mentioned Chelur and a few other nearby places.

Chelur is one of the hoblies of Gubbi thaluk in Tumkur district of Karnataka, presently it is a commercial semi urban area, from the historical view, it was played major role in this region and it was situated in the center of many regional administrative powers like, the Hagalawadi Nayakas, the Navabs of Sira, the Gowdas of Gubbi Hosahalli (Rao, 1969), the Nadaprabus of Bidare, and itself it comes under the reign of Gowdas of Chelur. Chelur region have large number of heritage, historically and archaeological materials through the ages, presently we seen many historical monument which were belongs to Hoysalas, Nayakas, Mysore Odeyars, and other local contributors. In this region we found many historical monuments in different places like, from Chelur - Chelur Bavi, Dristeshvara temple, inscription at Honnadevi temple, stone hen, sand Bull, hero stone, Bairaveshvara temple, at Kodiyala – Hoysala style Nandi  Sculpture, hero stone, in Bidare- Kalleshvara temple, Veerabadreshvara temple, Hoysala style Nandi and Veerabadra sculpture, unique Ganapathi sculptures (Rao, 1916), Vijayanagara Queen Kamaladevi inscription (Rice, 1904), Jain Basadi, at Hagalavadi- Two Gate ways, Mathas of Veerashaivas (Yogeeshvarappa, D. N,2004), hero stone with inscription, Junjappa temple, in Guddadahalli- Nayakas period temple and pavilion, at Sanabanahalli- memorial stones and grooves on rock (Prasanna Kumar,2018), at Lakkenahalii- hero stones and temple and many other monuments are give evidences to historical richness of this region (Sheshashastri, 2004).

I always felt that this area was historically significant. Having read the article, I've added a few more items to my list of places to see.

.........

Mar 2, 2024

Sri Gangadhareshwara Devalaya, Kaidala

Right besides Kaidala Chennakesaava Devalaya is Ganagdareshwara Devalaya, a relatively smaller structure. This too is a protected monument.

A board planted in front of the temple describes this temple as below:

Sri Gangadhareshwara temple, Kaidala, Tumkur

Gangadhareshwara temple on the east of Chennakesavatemple is also of Dravidian style. Its Navaranga has nice pillars of black stone carved in the Hoysala style. On the four sides of the pillars are inscriptions depicting the deities of Brahma, Vishnu, Bhairava, Krishna, Ganapati and Veerabhadra in plaque reliefs the outer zone of the Navaranga is decorated with elephant and floral four Shivas and other walls. - Commissioner Dept. of Archaeology Museums & Heritage Mysore.

An inscribed stone plaque embedded into the temple wall gives additional info, mostly of recent times.

||ಓಂ ಶ್ರೀ ಮಂಜುನಾಥಾಯ ನಮಃ||

ಸ್ವಸ್ತಿಶ್ರೀ ವಿಜಯಾಭ್ಯುದಯ ಶಾಲಿವಾಹನ ಶಕವರ್ಷ ೧೯೩೪ ನೇ ಶ್ರೀಖರನಾಮ ಸಂವತ್ಸರದ, ಉತ್ತರಾಯಣ, ಗ್ರೀಷ್ಮ ಋತು, ಜೈಷ್ಠ ಶುದ್ಧ ದಶಮಿ, ಹಸ್ತ ನಕ್ಷತ್ರ, ಕ್ರಿ.ಶ.೧೧ ೦೬-೨೦೧೧ ರ ಶನಿವಾರದಂದು, ತುಮಕೂರು ಜಿಲ್ಲೆ, ಕೈದಾಳ ಗ್ರಾಮದಲ್ಲಿ ಕಲಾತ್ಮಕವಾದ ಶ್ರೀ ಗಂಗಾಧರೇಶ್ವರಸ್ವಾಮಿ ದೇವಾಲಯವನ್ನು ಸಂರಕ್ಷಿಸುವ ಉದ್ದೇಶದಿಂದ ಶ್ರೀ ಕ್ಷೇತ್ರ ಧರ್ಮಸ್ಥಳದ ಶ್ರೀ ಮಂಜುನಾಥೇಶ್ವರ ಧರ್ಮೋತ್ಥಾನ ಟ್ರಸ್ಟಿನ ಅಧ್ಯಕ್ಷರಾಗಿರುವ ರಾಜರ್ಷಿ ಡಾ||ಡಿ.ವೀರೇಂದ್ರ ಹೆಗ್ಗಡೆಯವರು. ಕರ್ನಾಟಕ ಸರ್ಕಾರದ ದಾರ್ಮಿಕ ದತ್ತಿ ಇಲಾಖೆಯ ಸಹಭಾಗಿತ್ವ ಹಾಗೂ ಶ್ರೀ ಗಂಗಾಧರೇಶ್ವರಸ್ವಾಮಿ ದೇವಾಲಯ ಜೀರ್ಣೋದ್ಧಾರ ಸಮಿತಿ ಮತ್ತು ಭಕ್ತಾಧಿಗಳ ಸಹಕಾರದೊಂದಿಗೆ ರೂ. ಐದು ಲಕ್ಷಗಳು ವೆಚ್ಚದಲ್ಲಿ ಕುಶಲತಂತ್ರಜ್ಞರ ಮೂಲಕ ಜೀರ್ಣೋದ್ಧಾರ ಕಾರ್ಯವನ್ನು ನವೆಸಿ ದೇವತಾಕಾರ್ಯಗಳು ಸಾಂಗೋಪಸಾಂಗವಾಗಿ ನಡೆಯಲೆಂದು
ದೇವಸ್ಥಾನದ ಸೇವಾಸಮಿತಿಯವರಿಗೆ ಈ ಮೂಲಕ ವಹಿಸಿಕೊಟ್ಟಾಗ ಬರೆದ ಶಿಲಾಶಾಸನಕ್ಕೆ ಮಂಗಳ ಮಹಾ ಶ್ರೀ ಶ್ರೀ ಶ್ರೀ

In the facade the most interesting part is the balustrade. 

The temple's external walls are mostly plain except for floral motifs on the front walls.

A diagonal view of the balustrade.


The temple gates were closed, we had to limit our tour to the exteriors. Going by the temple plan, this is a Dwikutachala meaning this temple has two sanctums. The sanctums are opposite to each other, facing east and west while the temple entrances are in the northern and southern sides. Only the east-facing sanctum has a Shikhara over it, in which is the main deity i.e. Shivalinga.

The temple is symmetric in plan in both axis except for the Shikhara which is present over the west-facing sanctum and absent on the east-facing sanctum.

A view of the Navaranga, the pillared space described in the board. These pillars are made of a stone which is darker & harder compared to granite. These pillars are fine examples of Hoysala design and can be seen even in Chalukyan temples which underwent renovation during Hoysala period.

That's it about this temple for now. Besides Chennakesava and Gangadhareshwara, Kaidala has another ancient temple which is dedicated to Rameshwara. The last temple is a few minutes walk away and I completely missed it. Hoping to visit Gullur and Kaidala again between Ganesh Chaturti and Navaratri to see Maha Ganapati and also Rameshwara Devalaya.

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