Dec 27, 2025

sights from Bali

The idea of this post emanated from Clive Ames' travels across Bali, a province of Indonesia. I've known Clive since Jan 2019 when I was contacted for information about Badami, Pattadakal & Aihole. Since then we are in touch by email and Whatsapp. We share a lot of stuff.. his travels, my travels, my bicycle rides and pictures of creatures of Nature. I've seen a bit of Bali through Clive's eyes, such a lovely place it is. Besides seeing Bali, I also learnt a bit about it's unique culture. One aspect of Balinese culture that appealed to me most is the day of silence- Nyepi. The day marks the Saka New Year on which everything shuts down- no lights, no travel, and no entertainment. Everyone must stay indoors including tourists. It's a time for fasting, peace and inward thinking. Even though Indonesia is a Muslim majority country with a miniscule Hindu population, it's rooted in Hindu culture. Indonesia's national emblem is Garuda Pancasila, a golden Garuda with a shield having five emblems representing the five principals of Indonesian ideology.

Speaking of Bali province is an island filled with volcanic mountains, valleys and a bit of plains. With it's wooded mountain slopes and terrace farming Bali is a photographers' and trekkers' paradise. Then there's the historical part- ancient Hindu temples and XIX Century Dutch buildings. Last but the least, ancient Hindu traditions are active to this day.. the captivating rituals and ceremonies many of which are open to the public viewing.

Here are a few pictures shot by Clive starting with Mount Batur, one of the active volcanoes of Bali, as seen from Kintamani town. The volcano last erupted in 1963. The dark patches on the slopes are lava fields of that time.

Bali  has thirteen mountains of which two are active volcanoes- Mount Agung and Mount Batur. Mount Agung also happens to be the tallest. Info stated in the below table has been sourced from Bali.com. The website is a great place to know Bali from a tourist perspective.

Mounts of Bali
MountHeight (m)Can be hikedVolcano status
Agung3148YesActive
Batukaru2276YesDormant
Abang2151YesDormant
Catur2096YesDormant
Sengayang2087NoDormant
Pohen2063YesDormant
Lesung1865YesDormant
Adeng1826NoDormant
Patas1780YesDormant
Batur1717YesActive
Merbuk1384NoDormant
Musi1350NoDormant
Lempuyang1058YesDormant

Here's another view which has Mount Batur, Lake Batur and Mount Agung. So much wilderness.

That's Mount Agung the tallest peak of Bali literally kissing the skies.

Of the thirteen mountains, nine of them are trek-friendly. Sunrise trekking is very popular activity here. Imagine trekking Agung and Batur and reaching their caldera. What an experience that would be!

Between steep slope of Mount Agung and waters of Lake Batur is a village called Trunyan home of the indigenous Bali Aga people.

I guess this view of Agung peak is from another location, probably on the way to a resort situated on the hill seen in the foreground. 

Nestled in those hills are a number of ancient monuments of which Pura Kehen is the most popular. It's situated in Cempega in Bangli Regency. The temple's history dates back to the IX Century CE however it got it's name Pura Kehen in the XIII Century during the Bangli Kingdom period. It is said that this temple was a venue for oath taking ceremonies for the royal officials.

Pura Kehen has three sections i.e. an outer courtyard (Nista Mandal), a central courtyard (Madya Mandal) and an inner courtyard. Most temples of Bali share this format. What we are seeing is the outer 

That's Mrs. Ames posing at the base of the staircase. The orange garment is called sarong, it's worn to cover the legs. Visitors are also expected to wear a sash on their shoulders. Visitors are also expected to exercise restraint inside temple premises, like not touching idols, trees and any other object considered sacred.

A pair of Makara flank the base of the staircase. Makara is a mythical sea creature which seems like a combination of elephant, crocodile and fish are posted at entrances to keep evil spirits away. Makara is somewhat like Kirtimukha seen in Indian temples.

The entrance tower as seen from Madya Mandal. On the right hand side we have a small walled enclosure with small sculptures in it.

The inside of the enclosure. I don't know what these idols depict except for the farthest one which seems like a Shiva Linga. Wondering is this enclosure originally had an idol of Nandi too. Those checkered clothes have some significance, must be a local custom.

In the background is a stepped gateway which connects the middle courtyard with the innermost section. The steps are flanked by towering structures which is akin to waist-high balustrades seen in temples of southern India.

Another view of the towering structures. It looks like a Shikhara was split into two and then separated to create a passage. That's just my imagination.

The gateway is guarded by six Dwarapala, the gatekeepers. Again the function of Dwarapala is to keep out negative energies.

This shrine with a 11-tier pyramidal Shikhara seems to be the chief temple of this complex. This structure is known as Meru tower. The tower, like any other Hindu temple tower, is designed to draw cosmic energy into the sanctum.

I'm assuming the sanctum is enclosed by these richly decorated walls. Or possible the sanctum is housed inside with a circumambulatory. At shrine can be accessed by climbing up the seven-stepped staircase. Usually visitors are not allowed into the sanctum, entry is reserved for priests. A lot of sculptures on the pedestal. At every corner there's a winged female idol. Looks like all these idols are guards of the shrine.

Another view of the shrine. At the base of the steps are three mythical creatures. They are so fascinating in photographs itself, can't imagine seeing them for real. In the background are minor shrines, their Shikhara are three-tiered.

The head called as Kala or Bhoma seems to a combination of lion, pig and human features. Its popping eyes and bared teeth depict rage like Ugranarasimha, the enraged form of Narasimha.

The spacious courtyard has plenty of greenery too. The largest tree of this complex is Banyan tree which is said to be 400 years old. Then there are coconut palms and frangipani trees. In the below picture are two frangipanis on which are ferns. The presence of ferns is an indication of continuous rains. Also the lichen and moss coated stones here is an indicator of consistent rainfall.

This tiled roof mantapa seems like a shelter for ceremonial palanquins.

Here we have a stone sculpture of Garuda the eagle, Vishnu's mount. Vishnu is one of the Trimurti, the other two are Brahma and Shiva. In the Hindu traditions, Brahma is the creator; Vishnu is the protector; and Shiva is the destroyer. Garuda is identifiable by its wings. Feathers in the wings are beautifully sculpted. The sculptor has thrown in a lot of imagination.. fangs in the mouth and limbs like a human being. Garuda is decorated with elegant jewelry too. Truly an amazing artwork.

This multi-tiered structure seems to be an open shrine. It's called as pelinggih. If you study the base, it's a mythical creature, a combination of tortoise, lion and human features. It's carrying the shrine on its back. Flanking its head is a pair of sculptures similar to the one present at the chief shrine. This richly decorated structure must be of significance. It seems to be situated opposite another shrine. Probably this is like Stambha (pillar) seen in Indian temples. Stambha have specific names like Vijaya Stanbha (victory pillar). Deepa Stambha (lamp tower), and Garuda Stambha. If you think of Ellora Kailasanatha Mandir, there's a heavy-looking column. This pelinggih here and Stambha there could have a similar function.

Besides stone sculptures, there are some wooden sculptures too. The red-gold combination signifies sacred qualities.

Lastly we have this elaborately decorated wooden palanquin used for ritualistic processions during certain festivals. Those dragons create a feeling that they are pulling the sedan. The artwork seems so much like Buddhist art. For that matter, even the stone sculptures seen in this complex has a Buddhist influence. Let me say this here- personally I see Shaivism, Vaishnavism, Buddhism, Sikhism, Jainism and many other sects as branches of one giant tree called Hinduism.

After having seen Clive-shot photos closely and read about Bali culture, I'm tempted to make a trip there. I think Indian tourists, particularly Hindu people must consider Bali and Cambodia if and when they think of an overseas holiday. Bali offers almost everything a nature-loving tourist wants- greenery, treks, amazing resorts, and beaches. For the fun-loving types, Bali offers its own food & drinks and night-life. Overall, it's definitely a great holiday destination.

Thank you, Clive.

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Dec 24, 2025

Shivasharanara Aikysthalagala Nakshe

A Shivasharana is a devotee of Shiva who's maxim was  surrender to Shiva, inner-purity and simple living. The Shivasharana revolution of XII Century CE led by eminent Shivasharana like Akka Mahadevi, Allama Prabhu and Basavanna was aimed at achieving social equality, casteless society and devotion through Vachana Sahithya. Vachanas are poetry with profound message in simple language composed by Shivasharana. The epicenter of Shivasharana revolution was Kalyana the capital of Bijjala's kingdom, present day Basava Kalyana in Bidar district. Every revolution faces resistance, and Shivasharanas too had to face the ire of powerful upper caste leaders which eventually caused the king to turn against the revolution. The conflict exploded after Bijjala's assassination. The Shivasharanas were expelled from the kingdom, pursued by army they fled in all directions, majority went southwards. Shivasharanas though peaceful at heart were fighters when it came to self defense, more so to protect Vachana Sahitya. Many of the Shivasharanas were martyred but their legacy was kept alive by the followers. Their places have burial have become religious places. To this day people visit Shivasharanas Aikyasthala as a mark of respect to their contribution and to get inspired by their philosophy.

Basavanna's Aikya Mantapa | Akka Nagamma's Aikya Mantapa
Gangambike Aikyasthala | idol of Neelambike

Here's a map which has pins marking locations of Aikyasthalas. The map (and the list below) will be updated as and when a discovery is made. In case readers know of Aikyasthala not marked in this map, please do share the info in comment section. Your info will be added to the map.

You can also view the map with list of sites by visiting opening this link: Shivasharanara Aikysthalagala Nakshe.

The Shivasharana Aikyasthala marked in the above map are listed below. Click on linked to read details of that place.
  1. Ajaganna at Lakkundi.
  2. Akka Mahadevi the Shivasharane who considered Shiva as her husband attained Aikya near Srisailam.
  3. Akka Nagamma, the elder sister of Basavanna at a place called Yenne Hole near present day Tarikere town.
  4. Allama Prabhu at a place called Kadali Vanam which too is near Srisailam.
  5. Basaveshwara at Aikya Mantapa at Kudala Sangama at the confluence of rivers Malaprabha and Krishna.
  6. Channabasaveshwara, son of Akka Nagamma and nephew of Basaveshwara at Ulavi in the western ghat jungles.
  7. Dohara Kakkayya at Kakkeri near Alnavar.
  8. Gangambike, wife of Basaveshwara on the bank of river Malaprabha near Kadrolli.
  9. Madiwala Machayya a washerman by profession at Karimani near Murgod.
  10. Neelambike also wife os Basaveshwara on the bank of river Krishna near the village Tangadgi.
  11. Siddarameshwara of Sonnaligi in present day Solapur at Godekere near KB Cross (between Nittur and Tiptur).

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Dec 20, 2025

Maricha's end

Everyone who knows Ramayana is aware of Sita's abduction. The story in which Lanka king Ravana hatches a plot to abduct Sita. Ravana wanted his maternal uncle Maricha to take the form of a deer to lure Rama away from Sita for a while during which Ravana would carry out his evil deed of nabbing Sita. Aware of Rama's prowess, Maricha tries to dissuade Ravana but the latter unleashes his wrath to which the former surrenders. However, in the back Maricha's mind is a consolation that his end would be in Rama's hand. On the appointed day, Maricha assumes the form of an outlandishly beautiful deer and appears near Rama, Sita & Lakshmana's dwelling in Panchavati forest. The golden deer with silver spots mesmerized Sita evoking an irresistible urge to possess it. She begs, pleads and manipulates the unwilling Rama to give in. Lakshmana sensing a vile force in the deer tries to dissuade Rama but fails. Rama commands Lakshmana to guard Sita while he goes after the deer. Once out of sight, Rama's arrow hits Maricha reveals his true form, and cries out for help taking Sita and Lakshmana's names mimicking Rama's voice before dying. Rama realizes the trickery but it's a bit late.

Meanwhile at the hut, hearing the impersonated cries, Sita becomes uncontrollable and forces Lakshmana to rescue Rama. Lakshmana draws three lines around their hut and warns Sita not to cross-over under any circumstance and goes in search of Rama. As soon as Lakshmana leaves, Ravana appears at the hut in the form of an ascetic seeking alms. In our culture, one seeking alms is never to be sent empty hand. Sita noticing the ascetic steps out of the hut with a bowl of fruits then remembers Lakshmana's warning. Seeing Sita hesitate Ravana cunningly manipulates Sita with his words to which Sita yields. The second Sita steps across Lakshman-Rekha, Ravana reveals his real form, grabs hold of the terrified Sita and flees Panchavati.

Now, when we look back at the emotional failures in this story, there are lessons to be learnt.

sculpture of Maricha's end at Vijaya Vittala Devastana

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Dec 13, 2025

Baobab of Fadnavis Wada

Another discovery by my friend Vijay Menon. This time the Baobab's at Fadnavis Waada, Wai, Satara district.

This is one of the few discoveries in which Baobab fruit is seen. The fruit has high nutritious content and can be preserved for a long time. Apart from the fruit, it's leaves and bark have herbal properties and used for various health conditions.

Built in the XVIII Century, Fadnavis Wada is a historical monument. I'm quoting it's description verbatim from Nana Fadnavis Wada website: This palace (wada) at village Menavli was constructed by Rajamanya Rajashri Nana Faadnavis in 1770s and is situated on the banks of Krishna River. The 250+ year old wada structure comprises of the main stone plinth above which rises the two storeyed wooden framed structures with walls made of bricks and dried mud, hay and lime mortar. The wada has some excellent specimens of art in the form of well-carved wooden ceilings, and cypress pillars with cusped arches and Maratha style wall paintings, that are adorned with faunal and floral motifs.


Baobab originates from the African continent. Between the XIV and XVII Centuries CE, groups of Sufi ascetics travelled to the Indian subcontinent carrying Baobab seeds & saplings. The Sufis planted them wherever they camped which was usually for months at stretch. Baobab, though a rare tree in our country, thousands of trees are said to have survived in the western parts i.e. Goa, Maharashtra, Gujarat, Madhya Pradesh. Baobabs made their way interior regions i.e. the Deccan plateau and even down south to Tamil Nadu. For the reader's benefit, below is a list of known Baobab trees of India-

  1. Hilltop Nightclub, Vagator, Goa
  2. Cabo Raj Bhavan, Dona Paula, Goa
  3. Quepem, Goa
  4. Bamboo Motels, Goa
  5. next to Yogapur mosque, Bijapur
  6. Mahalakshmi Gudi premises, Martur, Kalburgi district
  7. Dodda Hunashe Matha, Savanur, Karnataka
  8. Near the aquarium in Lalbagh Botanical Garden, Bengaluru
  9. on the outskirts of Devadurga, Raichur district, Karnataka
  10. Purana Qilla, Golconda Fort, Hyderabad, Telangana
  11. Attapur, Hyderabad
  12. Vansthalipuram, Hyderabad, Telangana
  13. near Chappel Road, Hyderabad, Telangana
  14. Ranganath temple at Nanakramguda, Hyderabad, Telangana
  15. Shivalaya on Balachandruni Guttalu, Nalagonda, Telangana
  16. Uppal in Chengicherla Reserve Forests, Hyderabad, Telangana
  17. Nellore, Andhrapradesh
  18. Theosophist Society Gardens, Chennai, Tamil Nadu
  19. The American College campus, Madurai, TN
  20. Chinmaya Vidyalaya's campus at Ilanthope, Rajapalayam, TN
  21. Mangaliawas near Ajmer, Rajasthan
  22. Vadodara, Gujarat
  23. Dayapur, Gujarat
  24. Kutch, Gujarat
  25. Bhanagar, Gujarat
  26. Baroda, Gujarat
  27. Victoria Garden, Sukharamnagar, Ahmedabad, Gujarat
  28. Mulund, Mumbai, Maharashtra
  29. Byculla zoo, Mumbai, Maharashtra
  30. Tilak road and Ghokale road, Pune, Maharastra
  31. near Aurangabad, Maharashtra
  32. inside Shirala fort, Maharashtra
  33. Revdanda-Murud road near Korlai, Maharastra
  34. opposite Mandvi Darwaza at Vasai Fort, Maharastra
  35. Nana Fadnavis Wada premises, Menawali, Maharashtra
  36. Mandavgad or Mandu, Madhya Pradesh
  37. Sanjay Gandhi Biological Park, Bihar
  38. Purani Jhunsi, Prayagraj, Uttar Pradesh

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Dec 6, 2025

story of Kirtimukha

Kirtimukha at Ikkeri Aghoreshwara Devastana

Even after hundreds of temple visits Kirtimukha remained mysterious apart from the assumption that it's there to cast off evil eyes. Those ferocious faces popping eyes are bound to keep evil-eyes. However, the question of how it came into being stayed on.

Ikkeri Aghoreshwara Devastana

The mystery was addressed to an extent by a YouTube short video titled Kirtimukha: the glorious face at the temple gate in which Sadhguru (Jaggi Vasudev) narrates a story which goes like this:

Every Indian temple there is a face which is eating up its own arms which is called as the Kirtimukha. It once happened a certain Yogi too full of himself came and saw Shiva simply sitting there and he looked at him and provoked him with abuse. Shiva did not respond. Then he physically poked him and said you're simply sitting there because you're afraid of me. This went beyond point of irritation. So Shiva plucked a hair from his head and made a demon out of it. And he told the demon "Eat this Yogi. Eat him up. He should not be walking this planet."

The demon grew up within minutes and became huge and started chasing the yogi. Yogi was terrified. Then of course he came and fell at Shiva's feet and please save me. Don't let this demon eat me. Then Shiva immediately changed his mind and said "okay just leave him let him go." Then the yogi went away terrified.

Then the demon was standing there burning with hunger because he was created just to eat. So he said, "What am I supposed to do?" Shiva was already becoming still. He said, "You eat yourself." And then before Shiva could turn around and look at him, he started eating himself up. When he looked at him, everything of his body was gone. Only his face and two arms were left. So he looked at this "how quickly you ate yourself up. Only the face is left. You are the most glorious face. You are above all gods." 

It is from this that even today in almost every Indian temple there is a face which is eating up its own arms which is called as the Kirtimukha the glorious face.

Here's another example, a Kirtimukha from Bhimeshwara Devastana, Neelagunda.

Neelagunda Bhimeshwara Devastana

And a series of Kirtimukha at Aghoreshwara Devastana, Ikkeri where one tier of the temple base is dedicated to the glorious face.

Sadhguru's story has spiked my interest. During my future visits to temples, I'll surely pay more attention to Kirtimukha, it's many forms created by the ancient sculptures of our land.

......... 

Nov 29, 2025

Sculpture of Kurukshetra battle

The archeological museum at Kamalapur has a huge collection of sculptures, mostly from Vijayanagara period. Kamalapur museum, like most ASI has two sections- external and internal. This is one of few museums which allows photography in both sections.

I've posted one of the artifacts here- the sculpture of Arjun aiming an arrow. The flag on his chariot having an image of Hanuman on it is called Kapidhwaj. The charioteer should be Krishna. The other two characters on the chariot is a question to me. 

.........
 

Nov 22, 2025

Monuments at Hampi

While touring historic places like Aihole, Badami or Hampi, where the monuments are spread around a wide area, it would be handy to have a map pin-pointing the locations of individual spots. At Hampi, boards with maps have been posted at most of the monuments. This is very helpful for tourists to plan their route and, make use of their limited time efficiently. Here's one such map, the one posted at Sri Pattabhirama Devastana. Following the image is the transcription of monuments' lists in Kannada, Hindi and English. Also, you can refer to an earlier post titled what to see in Hampae where you can read the spots' short description.

ಸ್ಮಾರಕಗಳುस्मारकोंMonuments
1ಸಾಸಿವೆಕಾಳು ಗಣೇಶ1साशिवेकालु गणेश1Sasivekalu Ganesha
2ವಿಷ್ಣುಪಾದ ದೇವಾಲಯ2विष्णुपाद मंदिर2Vishnupada Temple
3ಕಡಲೆಕಾಳು ಗಣೇಶ3कहलेकालु गणेश3Kadalekalu Ganesha
4ಹೇಮಕೂಟ ದೇಗುಲ ಸಮೂಹ4हेमकुब मंदिर समूह4Hemakuta Temples
5ವಿರೂಪಾಕ್ಷ ದೇವಾಲಯ5विरूपाक्ष मंदिर5Virupaksha Temples
6ಅಖಂಡಶಿಲೆ ಬಸವಣ್ಣ6एकशीला नंदि6Monolithic Bull
7ವೀರಭದ್ರ ದೇವಾಲಯ7वीरभद्र मंदिर7Veerabhadra Temple
8ಅಚ್ಯುತರಾಯ ದೇವಾಲಯ8अच्युतराया मंदिर8Achyuthaya Temple
9ಗಣಿಕಾಸ್ತ್ರೀಯರ ಬೀದಿ9गणिका स्त्री वीधि9Courtesans Street
10ನೀರಿನ ಕೊಳ10पुष्करणि10Water Tank
11ಯಂತ್ರೋದ್ಧಾರಕ ಆಂಜನೇಯ11यंतोधारक अंजनय मंदिर11Yanthodhara Anjaneya Temple
12ಕೋದಂಡರಾಮ ದೇವಾಲಯ12केदंडराम मंदिर12Kodandarama Temple
13ವರಾಹ ದೇವಾಲಯ13वराह मंदिर13Varaha Temple
14ವಿಷ್ಣು ದೇವಾಲಯ 114विष्णु मंदिर १14Vishnu Temple 1
15ವಿಷ್ಣು ದೇವಾಲಯ 215विष्णु मंदिर २15Vishnu Temple 2
16ನರಸಿಂಹ ದೇವಾಲಯ16नरसिंह मंदिर16Narasimha Temple
17ಎರಡಂತಸ್ತಿನ ದ್ವಾರ17दो मंजिल का द्वार17Two Storeyed Gateway
18ತುಲಾಭಾರ ಮಂಟಪ18तराजु मंडप18King's Balance
19ಭಗ್ನಗೊಂಡ ಮಹಾದ್ವಾರ19अपूर्ण महा द्वार19Ruined Gateway
20ವಿಷ್ಣು ದೇವಾಲಯ 320विष्णु मंदिर ३20Vishnu Temple 3
21ಪುರಂದರ ಮಂಟಪ21पुरंदरा मंडप21Purandara Mandαρα
22ಲೇಖಿತ ವಿಷ್ಣು ದೇವಾಲಯ22उत्कीर्णित विष्णु मंदिर22Inscribed Vishnu Temple
23ವಿಠಲ ದೇವಾಲಯ23विठ्ठल मंदिर23Vitthala Temple
24ಶಿವ ದೇವಾಲಯ24शिव मंदिर24Shiva Temple
25ನೀರಿನ ಕೊಳ25पुष्करणि25Water Tank
26ಕುದುರೆಗೊಂಬೆ ಮಂಟಪ26कुदुरेगोम्बे मंडप26Kuduregombe Mandapa
27ಗೆಜ್ಜಲ ಮಂಟಪ27गेज्जल मंडप27Gejjala Mandapa
28ತಳಾರಿಘಟ್ಟ ದ್ವಾರ28तलारिघट्टा द्वार28Talarigatta Gate
29ಕೃಷ್ಣ ದೇವಾಲಯ29कृष्ण मंदिर29Krishna Temple
30ಬಡವಿಲಿಂಗ ದೇವಾಲಯ30बडविलिंग मंदिर30Badavalinga Temple
31ಲಕ್ಷ್ಮೀ ನರಸಿಂಹ31लक्ष्मी नरसिंह मंदिर31Lashmi Narasimha
32ಸರಸ್ವತಿ ದೇವಾಲಯ32सरस्वति मंदिर32Sarsvati Temple
33ಚಂಡಿಕೇಶ್ವರ ದೇವಾಲಯ33चंडिकेश्वर मंदिर33Chandikeshvar Temple
34ಉದ್ದಾನ ವೀರಭದ್ರ ದೇವಾಲಯ34उढाना वीरभद्र मंदिर34Uddhan Virabhadra Temple
35ನೆಲಸ್ತರದ ಶಿವ ದೇವಾಲಯ35भूमि स्तर शिव मंदिर35Underground Siva Temple
36ದಂಡನಾಯಕನ ಆವರಣ36दन्नायक कक्ष36Dannayaka Enclosure
37ಮುಹಮಡನ್ ಕಾವಲು ಗೋಪುರ37मुहमदन निगरानी मीनार37Mohammadan Watch Tower
38ಅರಮನೆಯ ಆವರಣ38महल का अधिष्ठान38Basement Of Palace
39ಬ್ಯಾಂಡ್ ಟವರ್39ब्यान्ड मीनार39Band Tower
40ಮಸೀದಿ40मस्जिद40Mosque
41ಟಂಕಸಾಲೆ41टंकसाल कक्ष41Mint Area
42ವೀರ ಹರಿಹರನ ಅರಮನೆ42वीर हरिहरा का महल42Palace Of Vira Harihara
43ರಾಜಮಾನ್ಯರ ವಸತಿ ಗೃಹಗಳು43ग य व्यक्ति के गृह43Noblemen's Quarters
44ಪಾನ್ ಸುಪಾರಿ ಬಜಾರ್44पान सुपारि बजार44Pan-Supari Bazar
45ಪಟ್ಟಣದ ಯಲ್ಲಮ್ಮ ದೇವಾಲಯ45नगर का यल्लम्मा मंदिर45Pattanada Yellamma Temple
46ಅಂತಃಪುರ46अंतःपुर46Zanana Enclosure
47ಜಲ ಮಹಲ್47जल महल47Water Pavilion
48ಖಜಾನೆ48खजाना घर48Treasury Building
49ಕಾವಲು ಗೋಪುರ, ಅಂತಃಪುರ49जनाना का निगरानी मीनार49Watch Tower-Zanana
50ರಾಣಿ ಅರಮನೆಯ ಅಧಿಷ್ಠಾನ50राणी महल का अधिष्टान50Basement Of Queen's Palace
51ಕಮಲ ಮಹಲ್51कमल महल51Lotus Mahal
52ಕಾವಲು ಗೋಪುರ, ಅಂತಃಪುರ52जनानां का निगरानी मीनार52Watch Tower-Zanana
53ರಂಗ ದೇವಾಲಯ53रंगा मंदिर53Ranga Temple
54ಕಾವಲುಗಾರರ ವಸತಿ ಗೃಹಗಳು54चौकीदार का घर54Guard's Quarter
55ಗಜ ಶಾಲ55हाथी शाला55Elephant's Stable
56ಪಾರ್ಶ್ವನಾಥ ದೇವಾಲಯ56पार्श्वनाथ मंदिर56Parswanath Temple
57ಜೈನ ದೇವಾಲಯ57जैन मंदिर57Jain Temple
58ಶೃಂಗಾರದ ಹೆಬ್ಬಾಗಿಲು58शृंगारित बुलंद दरवाजा58Sringarada Hebbagilu
59ಹಜಾರರಾಮ ದೇವಾಲಯ59हजारराम मंदिर59Hazararama Temple
60ಕಲ್ಲಿನ ಕಾಲುವೆ60पथ्थर की जल वाहिनी60Stone Aqueduct
61ರಾಜದರ್ಬಾರಿನ ಸಭಾಂಗಣ61शाही कक्ष61Royal Enclosure
62ಮಹಾನವಮಿ ದಿಬ್ಬ62महानवमी दिब्बा62Mahanavami Dibba
63ಕಲ್ಲಿನ ಬಾಗಿಲು63पथ्थर का द्वार पाटक63Stone Door
64ರಾಜ ಪ್ರಾಂಗಣ64दिवान-ए-आम64King's Audience Hall
65ನೆಲಮಾಳಿಗೆ65भूमि स्तर कमरा65Underground Chamber
66ಪಾವಟಿಗೆಯ ಕೊಳ66सीडीवाली पुष्करणि66Stepped Tank
67ಸಾರ್ವಜನಿಕ ಸ್ನಾನದಕೊಳ67सार्वजनिक स्नान घर67Public Bath
68ರಾಣಿ ಸ್ನಾನದ ಗೃಹ68राणी का स्नान घर68Queen's Bath
69ಭೋಜನ ಶಾಲೆ69भोजन शाला69Bhojana Shala
70ಅಷ್ಟಭುಜ ನೀರಿನ ಕೊಳ70अष्टकोण जल गृह70Octagonal Water Pavilion
71ಚಂದ್ರಶೇಖರ ದೇವಾಲಯ71चंद्रशेखर मंदिर71Chandrashekar Temple
72ಸರಸ್ವತಿ ದೇವಾಲಯ72सरस्वति मंदिर72Saraswati Temple
73ಅಷ್ಟಭುಜ ಸ್ನಾನದ ಕೊಳ73अष्टकोण स्नान घर73Octagonal Bath
74ಗಾಣಿಗಿತ್ತಿ ಜೈನ ದೇವಾಲಯ74गाणिगित्ती जैन मंदिर74Ganigitti Jain Temple
75ಭೀಮನ ಮಹಾದ್ವಾರ75भीम द्वार75Bhima's Gateway
76ಮಾಲ್ಯವಂತ ರಘುನಾಥ ದೇವಾಲಯ76माल्यवन्त रघुनाथ मंदिर76Malyavanta Raghunatha Temple
77ಪಟ್ಟಾಭಿರಾಮ ದೇವಾಲಯ77पट्टाभीराम मंदिर77Pattabhiarama Temple
78ಲೋಕಪಾವನಿ78पुष्करणि78Water Tank
79ಗುಮ್ಮಟಾಕಾರದ ಮಹಾದ್ವಾರ79गुंबज द्वार79Domed Gateway
80ಶಿವ ದೇವಾಲಯ80शिव मंदिर80Shiva Temple
81ಮುಹಮಡನ್ ಗೋರಿ ಮತ್ತು ದರ್ಗಾಗಳು81मोहम्मद कबरिस्तान और दर्गा81Mohammadan Tomb & Darga
82ಕೂಪಾರಾಮ ವಾಟಿಕ82कूप आराम वाटिका82Stepped Tank
83ಅನಂತಶಯನ ದೇವಾಲಯ83अनंतशयन मंदिर83Anantashayana Temple
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